Emily Dickinsons poetry can be seen as a product line of deep fears and emotions, specifically in her exploration of death. In her historied poem #465 Dickinson explores the orifice of a life without the elaborate, finished term that her ghostlike upbringing promised her. She forces herself to question whether there is a speculation of death being a mundane nothingness. In this finish upshot of doubt in the look of the divine, the speaker in the poem find an independent and personal acceptance of a death without profundity or salvation. Â Â Â Â Â Â Â Â The speaker of the poem is dying, and it is feasible to infer that her journey toward death has been a longer one. The family and friends realize her in the room because the eyes beside had wrung them dry, and breaths were gathering sure. The people in the room have cried all there tears, and are confidant that their friend or family member (the speaker) is going to a take better place. However, the narrator doe s not share with them this feeling of still and assurance, as she waits for the King or godlike figure to be witnessed effective her deathbed, the mundane presence of a fell buzz in the room makes her doubt the sanctity and religious importation of her experience. Â Â Â Â Â Â Â Â The fly and the king become polarized images.
The fly, representing the mundane, is keeping the speaker firmly on earth, preventing the epiphany that most classification of holy or religious appearance (the King, for instance) would bring. Other polarized images presented in this first stanza are the unconcern of line of products betwe en the heaves of storms. The speaker was ass! uming the quietude almost her on her death bed meant that she was waiting for some sort of major upheaval, some sort of religious moment when she would be whisked from... If you want to get a full essay, exhibition it on our website:
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